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Running time 157 minutes Country India Language Budget ₹280 million Box office est. ₹970 million Rang De Basanti ( IPA:; English: Colour it Saffron) is a 2006 Indian written, produced and directed by, and co-written by and. The literal meaning of the title can be translated as 'Paint me with the colours of spring'. It features an ensemble cast comprising Aamir Khan, and British actress in the lead roles. Made on a budget of ₹250 million (US$3.9 million), it was shot in and around. Upon release, the film broke all opening box office records in India.
It was the highest-grossing film in its opening weekend in India and had the highest opening day collections for a Bollywood film. The film was well received and praised for strong screenplay and dialogues. The story is about a British documentary filmmaker who is determined to make a film on Indian based on diary entries by her grandfather, a former officer of the.
Upon arriving in India, she asks a group of five young men to act in her film. Rang De Basanti's release faced stiff resistance from the and the due to parts that depicted the use of fighter aircraft and a banned Indian horse race. The film was released globally on 26 January 2006, the. It received critical acclaim, winning the, and being nominated for at the 2006.
Rang De Basanti was chosen as India's official entry for the and the in the Best Foreign Language Film category, though it did not ultimately yield a nomination for either award. 's soundtrack, which earned positive reviews, had two of its tracks considered for an nomination.
The film was well received by critics and audiences for its production values and had a noticeable influence on Indian society. In India, Rang De Basanti did well at many of the Bollywood awards ceremonies, including a win for Best Movie at the. The film was declared 'Blockbuster'. Main article: The soundtrack of Rang De Basanti, which was released by, featured music composed by and lyrics penned by and, an India-based.
From the film's announcement in April 2005, Rahman was slated to compose the music. In a press conference with singer, he said that she was to originally have featured on the soundtrack, although this was ultimately prevented from happening due to a change in producers and other factors. Aamir Khan, with his knowledge of and, worked with Rahman and Joshi for the soundtrack. In addition, Mehra and Rahman chose him to sing for one of the songs. Joshi, one of the lyricists, was impressed with the director, Rakeysh Mehra, who was ready to adjust to his style of writing as well as his creativity. Confessing that the film's soundtrack was his favorite out of all his previous works, Joshi felt that it 'was a wonderful experience getting to know the mindset of today's youth and to pen down their feelings'. Speaking about one of his songs, 'Luka Chuppi', in which veteran sang with Rahman, Joshi said that it was developed while discussing with Rahman the scene about a mother losing her son.
Joshi wrote the lyrics about the mother and son playing hide-and-seek with the sad reality of the son being hidden forever. He confessed to have been in tears while Mangeshkar was singing the song. The soundtrack won the, and had two of its tracks, Khalbali and Luka Chuppi, considered for an nomination. While discussing typical soundtracks, Nilanjana Bhattacharjya, a professor of music at, noted that Rahman integrated traditional Punjabi cultural elements within his music for this soundtrack. Regionally defined elements such as a woman's prayer at the Sikh (Golden Temple) and the harvest dance are incorporated alongside more contemporary, global styles such as hard rock and hip hop to depict the cosmopolitan lifestyle of the youngsters in the film.
Release Rang De Basanti received its world premiere on 26 January 2006, with high expectations that it would be a success with western audiences, though it also faced ire from several organizations because of certain controversial scenes. The film contained scenes of a, a controversial aircraft in the, which has a long history of fatal accidents in India. Promptly, the raised concerns, causing the to urge the filmmakers to seek clearance from the ministry. Accordingly, Khan and Mehra screened the film for the then Defence Minister along with other top officials from the armed forces. One Air Force official reportedly said that it was 'not a review, but a preview'.
After the special screening, the defence ministry did not insist on any cuts, but on their recommendation more names were added to the slide that dedicates the film to deceased MiG pilots. After this clearance, the Animal Welfare Board raised objections on the use of animals in the film. Although the filmmakers had obtained a from the board officials, a well-known activist and member of the welfare board, found flaws in this certificate. Subsequently, this certificate was revoked and with only a few days left for the world premiere, Mehra personally requested Gandhi to reconsider her objection. After another viewing, the board cleared their objection stating that the use of animals in the film was natural and justified. However, after they recommended the deletion of a 20-second scene that depicted a banned horse race conducted by the, the filmmakers deleted this scene.
Kavita Gadgil whose son, late Flight Lieutenant Abhijeet Gadgil was killed when his MiG-21 fighter crashed, objected to the film's release because she believed that the film was loosely based on her son's life and the producers should have shown her the film. In response, Kamlesh Pandey, one of the writers of the film, said that the film was not inspired by Abhijeet Gadgil. The film was screened at several international film festivals. In 2006, it premiered in France with the Asiexpo Film Festival, the and the Morocco-based. As a part of the publicity, the cast, visited prominent University campuses in, and with an intention of interacting with the students.
After hiring international experts for the film's publicity, the marketing expenditure for the film grew to 40 percent of the total production budget of ₹250 million (US$3.9 million). This expenditure was unprecedented in because usually the Indian filmmakers spend only about five percent of their production budget on marketing. Out of the ₹100 million (US$1.6 million) marketing campaign, a fifth of it came from the producers while the rest was obtained through brand tie-ups and partnering. Since Rahman's last musical success, was back in 2002, there were high expectations from the soundtrack in the media.
The soundtrack, first released commercially in early December 2005, generally received above average reviews. One of the songs, 'Masti Ki Paatshaala' (translation: 'Classroom of Fun'), was voted as the 'Song of the year' for 2006 by leading Indian television channels, while two compositions were considered for an nomination. Before its theatrical release, the producers tied up with several top brands to help in the marketing the film. An alliance was formed with by releasing special edition bottles to commemorate the film's release, a first of its kind in Bollywood. Besides this, the music CDs and cassettes were co-branded with the cola company along with the launch of the sale of from the film.
Provogue, a well-known clothing retail chain in India, launched a special limited edition clothing merchandise targeting the youth of India. Besides these, the producers collaborated with, Berger Paints, and. The producers tied up with several media partners such as India, and to further enhance their marketing efforts. A video game launched by an Indian mobile content company was based on an adaptation of the film's plot. In India, reported that with audiences from the metropolitan cities turning out in large numbers, Rang De Basanti was notching up record collections in its opening week.
Accordingly, 55 percent of the film's revenues came from multiplexes in these cities. While the opening week box-office collections from Mumbai, the home of Bollywood, were reported to be over ₹40 million (US$620,000), theaters in New Delhi earned about half of Mumbai's revenue.
Throughout the country, the cumulative collections in the first week was about ₹80 million (US$1.2 million). Overseas collections from the United States, United Kingdom and Australia were collectively put at over ₹60 million (US$940,000) for the same week.
Released in about 60 theaters in the United States, the film grossed ₹31 million (US$480,000) in its opening weekend and earned ₹99 million (US$1.5 million) within 10 weeks. With ₹1.23 billion (US$19 million) alone coming from the Indian territory, the film earned more than ₹1.36 billion (US$21 million) worldwide. Currently, the film holds the record for the. Within a week of the film's theatrical release, illegal copies of the film priced at ₹10 million (US$160,000) were seized at an Indian airport. A report carried out by highlighted copyright infringement on the Internet where movies like Rang De Basanti could be downloaded freely.
The DVD release sold more than 70,000 copies over six months, and as a result the film was the highest selling title at the time of its release. Rang De Basanti was released on Blu-ray (plus steelbook edition) in May 2014. Reception Critical reception Critics gave the film an overwhelmingly positive response, in particular the ensemble cast's performance and credibility. Although spoke positively of the cinematography and the film's story, it noted that 'the message that the film carries with it tends to get diluted towards the climax. Praising the film's cast for their performance and the cinematography of, Taran Ardash wrote that the film would be successful with the urban audiences. The summarized the film as being a 'well-scripted, skilfully crafted and thought-provoking entertainer'. Saisuresh Sivaswamy of wrote that films like Rang De Basanti can easily get into 'preachiness', but believed Mehra got his message across while avoiding this, also appreciating the music, cinematography, dialogues and art direction.
Credited Kamlesh Pandey for writing a story that would have been a difficult film to make, but it added by saying that the transformation of the youngsters into heroes seemed poetic. Although the screenplay, direction and the cast were also well-appreciated, the reviewer felt that Rahman's soundtrack lacked pace. The film also received positive reviews from critics outside India. The review from the gave it the highest possible and added that it was 'an entertaining mix of romance, history and social commentary'.
The website wrote positively about 'the raw energy of a young cast and A. Rahman's splendidly rousing soundtrack'. Magazine conducts a poll every ten years of the world's finest film directors to find out the Ten Greatest Films of All Time. This poll has been going since 1992, and has become the most recognised poll of its kind in the world.
In 2012 voted for 'Rang De Basanti'. Frisch commented: 'Corruption became the subject of fierce debate in India after the major success of this film among youngsters.' Climax A major point of criticism the film faced was regarding the possibility of Army attacking students in a radio station. When Rakeysh was questioned about the same in a scriptwriter's conference conducted by the in the year 2008, he said the following, 'So, in 2005, in Allahabad, a bunch of 4 students took the TV station there, and they were shot dead. Everything I did, it was kind of borrowed, as I said right here.
Obviously, what I am also learning is the way I tell a story is not real; you can term it as a-real. For maximum impact, for the message to go through, I felt—since the story was against the establishment—let the establishment do it. After all, the establishment did hang. After all, the establishment did come down on the innocent, innocent students in. After all the establishment did come down on. After all the establishment did come down when the whole concept of Flower Power emerged in America. So it's all there.
It's borrowed, maybe not as realistically, but it is definitely there in the society. During emergency, there are horror stories. If we have to go back to and his movement in Bihar, the stories are absolutely horrific.' 2007 Academy Awards Best Foreign Film submission Since the film 'reflected contemporary Indian reality and had cinematic excellence', it was chosen as India's official entry for the despite stiff competition from films such as, and. While discussing if the selection committee's choice was correct, critics felt that the Academy members could have better related with Omkara, an adaptation of 's play.
Despite these qualms and Mehra's belief that his film did not stand a chance at the Oscars, the efforts to publicize the film in the United States began earnestly. Music composer A. Rahman performed several concerts across the to promote the film. Besides his efforts, producer Screwvala planned to use resources and expertise from his partners in and for organizing its publicity efforts. When the nominations in the foreign film category did not feature this film, it sparked off debates on whether the film should have been India's entry for the Oscars. In one such debate on a television channel that involved Screwvala, the selection committee was questioned about its knowledge of the requisite artistic criteria for such award ceremonies.
While one outcome of the debate was on how Omkara would have been a better choice, the other discussed the -centric sensibilities of the Academy members. However, results from a simultaneously conducted SMS poll indicated that 62 percent felt that the film was the right choice for the Oscars.
Awards Award Category Recipient(s)/ Nominee(s) result, Won P. Bharati Nakul Kamte Rakeysh Omprakash Mehra, Nominated Rakeysh Omprakash Mehra, UTV Motion Pictures Won Rakeysh Omprakash Mehra Nominated Won Nominated, Rakeysh Omprakash Mehra Nakul Kamre Lovleen Bains, Pankaj Khandpur P. Bharati Won Rakeysh Omprakash Mehra, UTV Motion Pictures Won, Rakeysh Omprakash Mehra Best Song Recording Binod Pradhan P. Bharati Nakul Kamte Hitendra Gosh Rakeysh Omprakash Mehra Won Soha Ali Khan A. Rahman Rensil D'Silva, Rakeysh Omprakash Mehra P. Bharati Samir Chanda Rakeysh Omprakash Mehra, UTV Motion Pictures Won Rakeysh Omprakash Mehra A. Rahman Prasoon Joshi Binod Pradhan P.
Bharati Power Team Award Cast & Crew (along with ) Rakeysh Omprakash Mehra Won A. Rahman Rensil D'Silva, Rakeysh Omprakash Mehra Best Sound Nakul Kamte Best Cinematography Binod Pradhan Kirron Kher Won A.
Rahman The film was also selected as but it was not Nominated. Social influence. A pictorial collage that showcases how the Indian brands have used pictorials from the film (clockwise from top: Tehelka 's second anniversary magazine, a Business & Economy periodical and Amul – a dairy products manufacturer). Rang De Basanti had a noticeable impact on Indian society. A study of bloggers behavioral patterns during the first month of the film's release revealed a significant increase in public ire towards government and politicians for constantly being mired in corruption and bureaucracy and their inefficiency in providing basic amenities. Intense political discussions spurred on by the film's influence were observed in these patterns.
While commenting on this, writer D'Silva said that the film 'has struck a chord somewhere'. Besides instigating political thought and discussions, it evoked social awakening for many. Some discussions rallied on how citizens should support and contribute to non-governmental organizations and exercising simple citizen duties of paying taxes and voting, while the others contemplated on how to become more responsible towards the country.
Unlike other Indian films with jingoistic overtones, many young Indians could relate well to the characters of this film. While such reactions were observed on the Internet, youth activism took to streets to protest on public interest issues. A direct impact was on the 1999, one of the high-profile murder cases in India. A month after the film's release, a court acquitted the main accused because of inefficient and. This sparked intense civil protests and media campaigns that sought his re-arrest. Taking cue from the scene in which the protagonists hold a silent, candlelight vigil at 's, one such group of demonstrators carried out a similar rally to voice their protest.
Shortly thereafter, a survey was conducted to assess reasons for the sudden upsurge in people's social involvements. Eighteen percent of the respondents felt that movies like Rang De Basanti were the main reason behind it. Another such massive youth activism was seen in the rape and murder case where similar rallies were organized in India, United States and around the world.
Following the release of the film, another social outcry was against the introduction of reservations for in educational institutions. Young doctors and engineers joined hands in peaceful rallies in major cities across India.
Though the film was not released in the neighbouring Pakistan, it evoked similar reactions there. Inspired by the film, Pakistan's national newspaper, Jang, launched a television channel that was to focus on citizens' issues and support public awakening. Reacting to these strong social reactions, actor Kunal Kapoor thought that the film was just a catalyst that presented 'patriotism in a package that the youngsters understood and empathised with'. In the Indian media, frequent referencing of the film was evident, with many brands using pictorials from the movie. In addition, the media also uses the terms 'RDB' (abbreviated title of the movie) and 'RDB effect' while referring to instances of public activism on matters of public interest. When the 2007 Student Elections focused more on the important issues facing the students than in the previous years, one student referred to this as the 'RDB Syndrome'. On similar lines, Kamal Sunavala wrote a play titled Under the Influence which focuses on a young whose life changes after watching this film.
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Rang De Basanti Songs Youtube
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Rang De Basanti Lyrics Rang De Basanti Rang De Basanti is a Rakesh Omprakash Mehra's film released in 2008. It re-introduced patriotism in a totally new frame by drawing parallelism between India ruled by the British and today's politicians.
It received a warm applause by audiences, and was considered for Golden Globe Awards and the Academy Awards. Rehman's music was another strong point of the film. This is the list of all the songs from movie Rang De Basanti we have lyrics for. Click on the links to see the lyrics.
29 Votes Rang De Basanti (2006) is a Hindi bollywood Romance, Drama, Patriotic Movie which is directed by Rakesh Omprakash Mehra and produced by Rakesh Omprakash Mehra, Ronnie Screwvala. The Rang De Basanti casts are Aamir Khan, Soha Ali Khan, Waheeda Rehman, Om Puri, Kirron Kher, Anupam Kher, Atul Kulkarni, Kunal Kapoor, Sharman Joshi, Alice Patten, Madhavan, R Siddharth, Mohan Agashe, K K Raina, Lekh Tandon which is leading Main Role in the Rang De Basanti Movie. Rang De Basanti has been shot in. The songs of Rang De Basanti Movie has been composed by A R Rehman, A R Rehman, A R Rehaman, Ar Rahman, A R Rahman with Music Label. The Rang De Basanti Releas Date was January 01, 2006 in India. Total 13 Songs is available in this Movie and the most popular song of Rang De Basanti Movie is 'rang de basanti Dialogues' Which is sing by Aamir Khan.
Release Date January 01, 2006 Director Rakesh Omprakash Mehra Producer Rakesh Omprakash Mehra, Ronnie Screwvala Music Director A R Rehman, A R Rehman, A R Rehaman, Ar Rahman, A R Rahman Genre, Banner Utv Motion Pictures, Prakash Mehra Pictures Pvt Ltd Language Hindi View Full Rang De Basanti (2006) Songs Lyrics Lyrics Singer Aamir Khan A R Rehman, Lata Mangeshkar A R Rehman, Naresh Iyer A R Rehman, Aslam, Nacim Harshdeep Kaur Mohil Chauhan Mohamed Aslam, Naresh Iyer Madhushree, Naresh Iyer Chitra, Daler Mehndi Naresh Iyer A R Rehman, Aslam, Nacim Aslam, Blaaze, Naresh Iyer Daler Mehndii.